top of page

GREAT MEN OF GOSPEL: SPIRIT INTO SOUND:

 

Written By:  Elizabeth Van Dyke

Directed by: Elizabeth Van Dyke

Choreographer: Dyane Harvey

Musical Director: Cliff Terry

Vocal Arranger: Gregg Payne

 

Producer: Woodie  King’s New Federal Theatre

 

Featuring: Richard Bellazzin, Jeff Bolding, Ralph Carter, Cliff Terry, Gary E. Vincent, Montroville C. Williams

 

Production Stage Manager: Chris Halpin

Set Design:  Roger Predmore

Lighting Design:  Shirley Prendergast

Costume Design:  Ali Turns

Sound Design: Sean O’Halloran

Props: Brooke Fulton Myers

 

Great Men of Gospel: Spirit Into Sound, using a tremendous ensemble of actors and singers traveling the journey through the evolution of gospel music in America, celebrating that African Continuum- that spirit which is the foundation of music in the world today.  They portray the slaves, the Jubilee Quartets, sing the songs of Tindsley, Dorsey, the Five Blind Boys, The Pilgrim Travelers, the Dixie Hummingbirds, The Soul Stirrers, James Cleveland and more.  Great Men of Gospel: Spirit Into Sound is an uplifting, moving and inspirational evening of theatre.

WAITING TO BE INVITED

 

Written by: S.M. Shepard-Massat

Directed by: Elizabeth Van Dyke

 

Featuring:

Joyce Anastasia Murray, BeeBe Wilson, Shirley Marks Whitmore, Wayne DeHart, Julie Oliver, Deborah Oliver Artis

 

 

Producer:  Eileen Morris, The Ensemble Theatre (Houston, Texas)

Dramaturg: Daintee Glover Jones

Production Stage Manager: Broderick Jones

Set Designer: James V. Thomas

Lighting Designer: David Gipson

Costume Designer: Sarah Smith

 

It’s the summer of 1964 in Atlanta, Georgia and four middle-aged church going black women, co-workers from a local doll factory, travel by city bus to a “Whites Only” eating establishment inside a downtown Atlanta department store.  Their purpose is to ‘test’ their newly acquired civil rights handed down by the Supreme Court outlawing segregation in restaurants.

 

Waiting to Be Invited takes the audience on a warm, moving, and courageous journey towards freedom.

SOPHISTICATED LADIES:

 

Book by  Donald McKayle

Music by: Duke Ellington

Directed by: Elizabeth Van Dyke

Musical Director: James Alston

Choreographer: Greer Reed

 

Featuring: Christina Maria Acosta, Nefertiti Alves, Gabriel Ash, Kevin Brown, Catlin Lee-Covert, Sandy Dowe, Tyler LaRue Grinage, Cynthia Jackson, Benjamin Mapp, Greer A. Reed, Dana Woodruff and Gary E. Vincent

 

Dramaturg:  Marta Effinger

Production Stage Manager: Renee’ B. Sorrell

Set Designer:  Kenneth Ellis

Lighting Design: Jason Peroney

Costumes: Betty Pendleton & Heddie Thomas

Sound: Wayne Gaines

 

Sophisticated Ladies is a revue that pays tribute to the big-band music of legendary composer Duke Ellington, inclusing “In a Sentimental Mood,” “It Don’t Mean A Thing, If It Ain’t Got That Swing,” and the title tune.

SWEET MAMA STRINGBEAN
Written by: Beth Turner
Directed by: Elizabeth Van Dyke
Choreographer: Mickey Davidson
 
Featuring:
Sandra Reaves-Phillips, Cjay Hardy Phillip, Marishka Shanice Phillips, Gary E. Vincent, Darryl Jovan Williams
 
Produced by: Woodie King, Jr. New Federal Theatre
Production Stage Manager: Bayo
Musical Director: Gregg Payne
Set Designer: Ademola Olugebefola
Lighting Designer: Shirley Prendergast
Sound Designer: Sean O’Halloran
Costume Designer: Carolyn adams
Video & Film Designer: Theo Macabeo

 

Sweet Mama Stringbean shows an aging and severely overweight, legendary stage and film star Ethel Waters faced with a waning career and the prospect of an impoverished old age, when, a dream of a childhood spiritual awakening opens her to a new future with the Billy Graham Crusade.


 SWEET MAMA STRINGBEAN shows two Ethel's: a wild and adventurous skinny woman able to introduce songs like Sweet Georgia Brown, Dinah, Am I Blue, and Stormy Weather; and the older 275-pound spiritual Broadway dramatic actress who starred in Mamba's Daughter and Member of the Wedding, as well as defining her life through the song, His Eye Is On The Sparrow.

THE OLD SETTLER

Written by: John Henry Redwood

Directed by: Elizabeth Van Dyke

 

Featuring:

To-Ree’-Nee’ Wolf Keiser, Barbea Williams, Walter Belcher, Tracy Loving

 

Producer:  Susan Claassen, The Invisible Theatre

Production Stage Manager: Franklin Calsbeek, Jr.

Set Design: James Blair

Lighting Design: James Blair & Franklin Calsbeek, Jr.

Costume Design: Maryann Trombino

Sound Design: Gail Fitzhugh

 

 

Synopsis:

 

 In World War II Harlem, New York, a fifty-five-year-old spinster (or as they were called in those days—an Old Settler), Elizabeth Borny, takes in a young male roomer, Husband Witherspoon, to help her with the rent. Husband has come to Harlem from South Carolina to search for his girlfriend, Lou Bessie Preston. Also living with Elizabeth is her sister, Quilly McGrath, fifty-three. There is an ominous cloud of tension that hangs over Elizabeth and Quilly's relationship. This tension is further exacerbated when Elizabeth and Husband take to liking each other. Quilly, who doesn't like Husband living with them in the first place, surely doesn't approve of their "carrying on," especially since Elizabeth is old enough to be Husband's mother. It is this "carrying on" that exposes a thirty-year-old wound which, until now, only had a bandage—now the wound can heal for the sisters.

bottom of page